Ian de Gruchy’s work looks at the positioning of art within the broader social fabric and continue to research into the aesthetic viability of projection to locate ideas within diverse contexts that impact on the public imagination.

By integrating research, technology and production and combining the best of analogue technologies (photography, projectors) with the power of digital technologies (imaging, keystone correction, slide production) it is possible to produce complex engaging works with projection.

Programming possibilities means projection can operate cue to cue for performance or for art installations as continuous operation, semi-permanent events.

Projection can operate as an intervention within the city as an ephemeral public art crossing the boundaries of art, architecture and performance.